text by which to study and grow and live

Kathleen's last year's brown velveteen disclosed bronze slippers and stockings,--a novelty in Beulah,--her hair fell in such curls as Beulah had rarely beheld, and her voice was as sweet as a thrush's note; so perhaps it is not strange that the poem set a kind of fashion at the academy, and "following the gleam" became a sort of text by which to study and grow and live. Thanksgiving Day approached, and everybody was praying for a flurry of snow, just enough to give a zest to turkey and cranberry sauce. On the twentieth it suddenly occurred to Mother Carey that this typical New England feast day would be just the proper time for the housewarming, so the Lord children, the Pophams, and the Harmons were all bidden to come at seven o'clock in the evening. Great preparations ensued. Rows of Jack o' Lanterns decorated the piazza, and the Careys had fewer pumpkin pies in November than their neighbors, in consequence of their extravagant inroads upon the golden treasures of the aft garden. Inside were a few late asters and branches of evergreen, and the illumination suggested that somebody had been lending additional lamps and candles for the occasion. The original equipment of clothes possessed by the Careys on their arrival in Beulah still held good, and looked well by lamplight, so that the toilettes were fully worthy of so important a function. Olive's picture of Nancy was finished, and she announced the absolute impossibility of keeping it until Christmas, so it reached the Yellow House on Thanksgiving morning. When it was unwrapped by Nancy and displayed for the first time to the family, Mother Carey's lips parted, her eyes opened in wonder, but no words came for an instant, in the bewilderment of her mind. Olive had written the title "Young April" under the picture. Nancy stood on a bit of dandelion-dotted turf, a budding tree in the background, her arm flung over the neck of a Jersey calf. The calf had sat for his portrait long before, but Nancy had been added since May. Olive, by a clever inspiration, had turned Nancy's face away and painted her with the April breeze blowing her hair across her cheek. She was not good at painting features, her art was too crude, but somehow the real thing was there; and the likeness to Nancy, in figure, pose, and hair, was so unmistakable that her mother caught her breath. As for the calf, he, at least, was distinctly in Olive's line, and he was painted with a touch of genius. "It is better of the calf than it is of you, Nancy," said Gilbert critically. "Isn't Mr. Bossy lovely?" his sister responded amiably. "Wouldn't he put any professional beauty out of countenance? I am proud to be painted beside him! Do you like it, Muddy dear?"